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Frances Lincoln
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Sandra Lousada grew up amidst a circle of actors, writers and artists living alongside the River Thames at Hammersmith. Through her grandfather, A.P. Herbert, her mother, the stage designer Jocelyn Herbert, and Jocelyn Herbert's lover, George Devine, founder of the Royal Court, she had privileged access to the worlds of literature, the arts, and the theatre. By the late 1950s she had begun to forge a language of her own, using the camera as her medium. This book is a rare compilation of photographs, culled from a career spanning over half a century, capturing Lousada's insider view of figures such as Lawrence Olivier and Joan Plowright, Vanessa Redgrave, Julie Christie, Helen Mirren, Joanna Lumley and David Hockney as well as images from her glittering career as a fashion and beauty photographer working for magazines including Queen, Vogue, Tatler, and Harpers. |
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Since the mid-1990s an exciting building project has been underway, new cancer caring centres that offer a fresh approach in architecture and health. Named after Maggie Keswick and co-founded with her husband, the writer and landscape designer Charles Jencks, these centres aim to be at all the major British hospitals that treat cancer. Already six have been completed and six more are in the pipeline. Starting in Scotland, where the first were built, they have implications well beyond their modest size and origins. Complementary to the large hospital, and huge National Health Service, they present a face that is welcoming, risk-taking, aesthetic and spiritual; and with their commitment to the other arts, including landscape, they bring in the full panoply of constructive means. Basically they are a new mixed building type for healing that has several roots in the past. As Jencks and Heathcote show this hybrid quality is a response to the condition of cancer, its myriad causes and bewildering number of possible therapies. The architecture of hope is this new hybrid genre emerging with Maggie Centres, and a multiple metaphor that corresponds in kind to the many different types of cancer and their various treatments. Such caring centres, offering psychological, social and informational guidance, will inevitably grow in the future with an aging population, and cover the myriad of chronic problems such as heart disease. Because the genome project increases choice of treatment, cancer caring centres are a model for what may soon become a standard building type. The Centres have been designed by well known architects Richard Murphy, Page and Park, Frank Gehry, Zaha Hadid and Richard Rogers. Further projects underway include buildings by Richard MacCormac, the late Kisho Kurokawa, Piers Gough, Foreign Office Architects, Wilkenson & Eyre and Rem Koolhaas. Almost all of these architects were close friends of the architectural critic Charles Jencks and his late wife Maggie, whose vision was the initial inspiration. This close friendship and commitment helps explain the somewhat unusual choice of designers. But the Centres are committed first to helping cancer sufferers help themselves, to inspiring carers to care more, and secondly to architecture. The allegiance of arts and building in the perennial struggle with cancer leads to the architecture of hope. As patients walk into a Centre after a diagnosis, or an enervating treatment, often disoriented and losing self-confidence, they enter another world which acknowledges their importance and operates on a basic condition that may become prevalent: living with cancer and not losing hope. |
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In AD 79, the volcano Vesuvius erupted, burying the cities of Pompeii and Herculaneum under ash and rock, and leaving them remarkably well preserved for centuries. While Pompeii has been extensively written about and popularized, the remains of its sister city, a smaller yet wealthier community close to the sea, are less widely known, but they have yielded spectacular archaeological evidence. This is the first major study of Herculaneum since Joseph Jay Deiss's book, published in 1966 and last revised in 1993. And in any language there have only ever been a handful of books available, mostly guidebooks and exhibition catalogues. It is based on the latest excavation work and incorporates much new material that has revolutionized our understanding of the site. Illustrated with more then 300 newly taken colour photographs and archive illustrations, it is the definitive overview for the general public of what we know and understand about Herculaneum, of what is still unknown and mysterious, and of the potential for future discoveries in both archaeological and political contexts. |
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Brian May's painstaking excavation of exquisite stereo photographs from the dawn of photography transports the reader back in time to the lost world of an Oxfordshire village of the 1850s. At the book's heart is a reproduction of T R Williams' 1856 series of stereo photographs Scenes In Our Village. Using the viewer supplied with this book, the reader is absorbed profoundly into a village idyll of the early Victorian era: the subjects seem to be on the point of suddenly bursting back into life and continuing with their daily rounds. The book is also something of a detective story, as the village itself was only identified in 2003 as Hinton Waldrist in Oxfordshire, and the authors' research constantly reveals further clues about the society of those distant times, historic photographic techniques, and the life of the enigmatic Williams himself, who appears, Hitchcock-like, from time to time in his own photographs. The product of more than 30 years research, the mixture of social, photographic and biographical detail is handled with admirable lightness of touch, belying the depths of scholarship which underpin this ambitious enterprise. |
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This book takes the reader on a guided tour of London's public squares, community and allotment gardens, front gardens and window boxes – and the myriad and monumental public parks, from the grand formality of Hyde Park and Kensington Gardens to the wild heathland of Hampstead and the commons. Illustrated with photographs that capture all the diversity of London's green spaces, presenting a unique and fresh viewpoint on the familiar, crammed with intriguing information as well as practical details, this book is for Londoners, gardeners and environmentalists, and for all visitors to the city. |
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Dante Gabriel Rossetti is the most intriguing and flamboyant figure in nineteenth-century British art. He inspired the first Pre-Raphaelite generation of 1849 and the second generation ten years later and both brought about significant changes in British art. His poetry, too, acted as a stimulus to many writers at the end of the century, who saw in his subtle manipulation of the sonnet and the ballad forms ways of giving expression to issues that were peculiar to the that century. Dominant among those issues was that of sexual desire, for Rossetti, more than any other artist in this period, struggled with the contradictions of sexuality. When he died in 1882 people knew of him as the painter of alluring women with exotic names — Lilith, Monna Vanna, Fiammetta — and the writer of subtly erotic verse. He projected onto women his anxieties, his pleasures and his needs. He also mythologized them, so that Elizabeth Siddal, Fanny Cornforth, Jane Morris and others became for him Beatrice, Guenevere, and Isolde. In doing so he shaped them, he changed the direction of their lives, and in some cases he both made and destroyed them. This richly illustrated book, by tracing the development of Rossetti's painting and poetry in the context of the drama of his life, follows this powerful thread. Sometimes sensual, at others spiritual, Rossetti's mission was to transcend the Manichean division that separated body and soul and, through the visionary power of art, reconcile what he saw as elements fundamental to human experience. |
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As weird and wonderful as Escape from Mercy Hall and Secrets of Mercy Hall, the final book in the trilogy see the children back behind the Hedge again, this time on a rescue mission. Where is the lever to the Hedge? Shouted Jethro Barking as he towered over them! I'll feed you to the sharks, I'll hang you by your feet, I'll give you to the Muttons, one by one 'till you tell me. So ended Secrets of Mercy Hall. Now, Digby, one of the orphans, has gone missing after visiting a travelling circus. Whilst investigating behind the scenes Milly, Singer and Charlie discover a sinister secret. Minlings from behind the Hedge are caged and ready to be displayed in the circus freak show. The worst has happened — Jethro Barking, or Old Barking Mad, has finally escaped and is selling everything he can, gold, diamonds and Minlings! Aided by their old friends, Drago, and Batty the Tick-Tock bird, the children use powers gained in the Rainbow Cave to outwit Old Barking Mad and finally solve the mystery of the Hedge forever. |
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This weird and wonderful tale follows the exploits of eight year old Milly, and nine year old George and Samuel, as they escape from the grey world of a Victorian orphanage into a land of curious and unsettling modernity. |
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In ad 79, the volcano Vesuvius erupted, burying the cities of Pompeii and Herculaneum under ash and rock, and leaving them remarkably well preserved for centuries. While Pompeii has been extensively written about and popularized, the remains of its sister city, a smaller yet wealthier community close to the sea, are less widely known, but they have yielded spectacular archaeological evidence. This is the first major study of Herculaneum since that of Joseph Jay Deiss, published in 1966 and last revised in 1993. And in any language there have only ever been a handful of books available, mostly guidebooks and exhibition catalogues. Herculaneum is based on the latest excavation work and incorporates much new material that has revolutionized our understanding of the site. The book draws on a decade's work with the Herculaneum Conservation Project which, thanks to the Packard Humanities Institute, has begun to reverse the neglect of previous years which had reduced this extraordinary site to a critical condition. Illustrated with more than 300 newly taken colour photographs and archive illustrations, plus eight spectacular 360-degree panoramas, it is the definitive overview for the general public of what we know and understand about Herculaneum, of what is still unknown and mysterious, and of the potential for future discoveries in both archaeological and political contexts. |
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Van Gogh was inspired by the beauty and colours of nature. He brought this passion to life in some of the most vibrant depictions of the natural world ever put to canvas. This book takes a look at this side of the artist's life and work. It offers insight into the artist's unique vision with the help of his most beautiful paintings and excerpts from his own writings. We see that flowers such as the iris and the sunflower served as emblems of self-identity and that the fields were a testament to the cycle of life and a warning of the inevitability of death. The book offers a portrait of the joy and pleasure that Van Gogh experienced in his life and expressed with his brush. |
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The great houses of London represent one of the marvels of English architecture and yet they are almost entirely unknown. They are for the most part disguised behind sober facades but their riches within are astonishing. This book will range from the romantic 17th century Ashburnham House, nestling in the shadow of Westminster Abbey, through the splendid 18th century aristocratic palaces of the West End, to the curious and quirky arts and crafts houses of Holland Park and Kensington, to the cool modernist houses of Hampstead and the exuberant post-modern interiors of the last thirty years. Every house has its own story to tell. This might be the colourful history of the occupants (such as the Duke of Wellington entertaining ladies at Apsley House), the great art collections they held (the Titians at Bridgewater House or Sam Courtauld's Impressionist paintings at Home House), or the architectural wonders of William Kent's 44 Berkeley Square and Burges's Tower House in Melbury Road. The book promises to be a great revelation. |
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William Burges (1827-81) was arguably the greatest of all Victorian architects. But he was more than just the creator of a modest number of fabulous, and fabulously expensive, buildings. He dreamed of hundreds more, designed dozens, and in addition created some of the most remarkable furniture and jewellery of all time. He was an art-architect. Rich, clever, well connected and short lived, he was uncompromising, profoundly learned, skilled in every process of design and explosively inventive. A brilliant talker, pungent critic and hilarious companion, he was one of Victorian London's great eccentrics and networkers, though he was bewitched by the Middle Ages. The great buildings that he completed include Cork Cathedral, Cardiff Castle and the even more eccentric Castell Coch, the great Yorkshire churches of Skelton and Studley Royal, the magnificent country houses of Knightshayes in Devon, and Mount Stuart on the Isle of Bute, and his own astonishing Tower House in Kensington. His furniture, fabric and jewellery designs and his unrealised projects were also hugely influential, and the former are now enthusiastically collected. This book was a landmark in Victorian studies when first published in 1981 and is now completely revised and re-illustrated substantially in colour. |
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“Any creature who gets changed after passing through the Rainbow Cave is sentenced to death by pegging out,” said Drago soberly. “They are simply chained out in the fields and when the evening comes the Muttons appear and eat everything in sight.” In trouble again with the unpopular headmaster of Mercy Hall, Jethro Barking, Milly escapes from the orphanage with the help of her friends George and Samuel, and sets out to find her lost older brother, Tom. Little did any of them expect to be bundled through a thorn hedge by shadowy figures, into a strange land of Muttons (flesh-eating sheep), and forbidden Changelings. Finding Drago, a slave dog, staked out and at the mercy of the Muttons, they save him. In doing so they learn about the mysterious Rainbow Cave and the strange people, called the Robes, who control the cave and the glowing city beyond. Aided by Drago, and Batty the Tick-Tock bird, the children travel through the Rainbow Cave itself and discover the Dome, an enormous electro-magnetic power generator, worked by slaves kidnapped from their own world. Can the children escape? Can they help the slaves escape? And are they now changelings themselves? |
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A colourful snail asks you to help him look for his favourite painting. Follow his silver trail through a selection of famous modern paintings by an exciting range of modern artists including Pollock, Rothko, Mondrian, Dali, Picasso and Matisse in search of a piece of art that represents him. |
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The Alhambra palace complex is imposingly situated above the town of Granada, on the lower slopes of the Sierra Nevada, southern Spain. It is the most important surviving medieval Islamic palace in the world. Michael Jacobs takes a fresh look at this magical palace-fortress, built by the Muslim Nasrid rulers and the potent mythology that has grown up around it. The heart of the book is a tour of the palace and the adjoining gardens of the Generalife. The final chapter assesses the literature, art and architecture inspired by this legendary place. |
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This beautiful book is a collection of poetry from all around the world, illustrated by some of the finest picture book artists working today including Peter Sis, Children's Laureate Anthony Browne and Quentin Blake. Produced by the International Board on Books for Young People (IBBY), this is a poignant and uplifting book to treasure, inspire and educate. |
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This engaging draw from your imagination book holds many adventures for young readers: a dragon to fight, a mystery ship sailing to shore, a splendid archway to step through. The starting point for each adventure is an intriguing image from a painting in London's National Gallery. With the help of paints, crayons, pencils, felt-tip pens, scraps of paper, and, above all, imagination, budding artists fill in the scene. Reproductions of all the original paintings appear at the back of the book. From an adult's perspective, the finished projects can offer valuable insight into a child's thoughts, desires, and anxieties. |
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The RHS Wild in the Garden Diary 2014 celebrates British wildlife. It is illustrated with photographs of birds, mammals, amphibians and insects that may be found in gardens, plus tips on how to manage your garden to enhance the wildlife potential and thereby add interest and enjoyment. Illustrated with full colour photographs this week-to-view diary includes an internal storage pocket and ribbon marker. |
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'No other city has the variety of hairstyles male and female that parade the streets of London. The bouffant, the duck arse, the white wings of power swept over the ears, the coxcomb punk, the flat top, the social outrider's bowl cut. They're all there to make a place. In respect of the hair of the 80s, the rest of the world was dead from the neck up.' Buy a 35 mm camera at the beginning of 1980 and spend the next 10 years walking around London taking half a roll of black and white a day and photograph whatever happens in front of you. You get Mick Jagger, New Romantics, ra-ra skirts, Boy George, Sloane Rangers. The beginning of Covent Garden, yuppies, the IRA bombings, the Iranian Embassy siege. Hundreds of headlines — John Lennon Shot Dead, Royal Romance: Andrew To Wed. Margaret Thatcher's London, fashions that came and went. Here are 160 unique street photographs of London when it was the style, musical, political and fashion capital of the world. |
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